Pavel Andreevich Fedotov painted the canvas “The Picky Bride” in 1847. The canvas tells the viewer a whole plot. This is facilitated by the deliberately prim atmosphere of the room, unnaturally emotional expressions of the faces of the acting hero and some comic nature of their positions. A middle-aged lady sits elegantly in the center of the picture, her courteous indulgence and deceptive doubt are depicted.

Makovsky was a true master of everyday paintings. He depicted each scene with humor, but at the same time, all the artist's works are imbued with a deep meaning. We see two men who are sitting and talking about something. More precisely, they do not even just talk, but argue. On one person a dandy outfit is enough, which is complemented by a cylinder.

The picture is impressive. At first glance, the landscape is unremarkable. But the painter managed to notice a secret in everyday life. He not only depicts what he saw, but also puts his feelings. We look at nature through the eyes of Zhukovsky himself. On the left is a house. A lone window burns in it. It seems that it has absorbed the colors that the summer sunset gives us.

Chardin was a true master of still life. He preferred to depict completely familiar objects, utensils and utensils. His paintings are as democratic as possible and incredibly significant. We see objects that become a symbol of a durable family life. They demonstrate her orderly way. Before us is a bowl with a spoon, a glass and three apples.

For many years nothing was heard about this picture. Art critics have already begun to think that this beautiful painting was lost forever, but in 2013 the painting was at one of London's auctions. It turns out that the painting was at the disposal of a private American art collector for a long time. In fact, there are 3 copies of this painting, written by the great artist Roerich.

Against the background of fiery clouds from the setting sun, we observe the movement of the battle veteran at Trafalgar - the "Valiant" warship. A small coal-black self-propelled ship tows a combat giant to the banks of the Thames, where it will be dismantled. This panel was first presented to the public at the Royal Academy back in 1839.